Rooted in Angie’s experience of dancing a Black radical tradition, this masterclass will concentrate on the role that our intuition plays in our process. What are ways that we can create an easeful workflow? How do we look back to remember that we already know how? We will spend time looking at who our guides are (from beyond) to lean on in this creative journey.

Angie Pittman is a New York based Bessie award-winning dance artist. Her choreographic work has been performed at The Kitchen, Gibney Dance, BAAD! (BlaktinX Performance Series), Movement Research at Judson Church, Triskelion Arts, STooPS, The Domestic Performance Agency, The KnockDown Center(Sunday Service), The Invisible Dog(Catch 73), and Danspace Project (Food for Thought 2017, Draftworks, Platform 2018, A Shared Evening of New Work 2019). Angie has had the pleasure of dancing in work by MBDance, Ralph Lemon, Tere O'Connor, Cynthia Oliver, Anna Sperber, Donna Uchizono Company, Jennifer Monson, Kim Brandt, Tess Dworman, Antonio Ramos and many others. Angie has also been able to create collaboratively with Jasmine Hearn, Jonathan Gonzalez, Athena Kokoronis, and Anita Mullin. She holds a MFA in Dance and Choreography with a graduate minor in African American Studies from University of Illinois at Urbana-Champaign, and is a M’Singha Wuti certified teacher of the Umfundalai technique. Angie is a founding member of Skeleton Architecture, a vessel of Black womyn and gender nonconforming artists rooted in the rigor and power of the collective in practice. Angie’s work resides in a space that investigates how the body moves through ballad, groove, sparkle, spirit, spirituals, ancestry, vulnerability, and power. Angiepittman.com