University Residencies
Residencies are an essential component to the Company's work, providing an opportunity for the company to collaborate with artists from around the world and to share, through the creation of new work, our aesthetic and vision. University residencies can span from one day to an entire semester. Residnecies that involve Alexandra setting a choreographic work must be five or more days. Residency packages can be suited to fit the needs of the presenter and can include any of the following:
Creation of an original work for your company or school
Technique classes with Alexandra Beller
Additional classes including Composition, Improvisation, Duet Making, Laban Movement Analysis, and Theatre Techniques for Dancers (including Viewpoints, Vocal Training, Directing and Dramaturgy)
Discussions of various topics including Dance in NYC, Life in a large company, Being a Choreographer, Body image and self image in the dance world, Nutrition and Injury Prevention.
Workshops at local schools
If you are interested in booking Alexandra for a residency please email beller.alexandra@gmail.com
Scroll to the bottom of this page to see a list of universities, institutions, and festivals that have hosted Alexandra for residencies.
Below are a few examples of the pieces derived from collaborative process with students at various Universities.
Dangling Fruits of Joy or How To Make Love, originally a quartet, has been stretched and condensed for different company situations into either a duet or a piece for as many as twelve. The piece has been set on Connecticut College and Dance New Amsterdam's NYSDI. Attacking mythologies surrounding gender, "Dangling Fruits of Joy or How to Make Love" asks "what makes a man a man and a woman a woman in the eyes of society." Challenging, provocative and philosophical, the work is also vigorous, dramatic, and ripe with humor. Called "smart and startling" by Elizabeth Zimmer and "hilariously perverted" by Deborah Jowitt, "Dangling Fruits of Joy or How to Make Love" continues to garner critical and popular acclaim.
Diet Coke Can Save Your Life, created through an NCCI grant at Montclair State University, is a repertory work for 5-15 women. The work has been re-created on Alexandra Beller/Dances, Rhode Island College, Long Island University and Oakland University and with the help of Dance Space Center’s Artist in Residency Program. Using gestures drawn from mass media, Ball gowns made entirely of diet coke cans, and a sound score of infomercials and driving music, DCCSYL an examination America’s cultural obsession with physical perfection, especially in women.
what comes after happy, has been set on The New School and at Dance New Amsterdam's NYSDI. cracks open our cultural obsession with happiness. More than almost any country, America is driven by the search for a state we consider "happy." As if happiness were a state of the Union rather than a state of being, we seem to be constantly mapping out the route towards a place, rather than experiencing the journey and taking in the states along the way. While other countries give deep value to the states of sadness, anger, passion and fear, we often whitewash our everyday lives to announce to the world and ourselves that we do not covet, that we are not filled with unrest, that we do not mourn. What comes after happy features 300 fortune cookies, an eclectic score and a ferocious physical vocabulary.
Universities, institutions, and festivals that have hosted Alexandra for residencies
Rhode Island College
Ohio University
Massachusetts Institute of Technology HERE Arts
Fieldston School
Bates College
University of Nebraska at Kearney
Coker University
Gibney Dance Center
Austin Community College
Texas Woman’s University
Rhode Island College
Kansas State University
Sacramento State University
Dancio Online Platform
Salem State University
Laban/Bartenieff Institute for Movement Studies
Bedlam Theatre Company Intensive
Rutgers University
Rhode Island College
Wake Forest University Middlebury College
Stony Brook University
Princeton University
Mark Morris Dance Center
Bill Evans Somatics Conference, Keynote Speaker
Bamford/Nightingale School
Summer Stages, Concord MA
University of Akron
Kenyon College,
Henny Jurriens Foundation (Amsterdam, Netherlands)
Dance New Amsterdam Performance Project
Bytom Festival (Poland)
Open Look Festival (St Petersburg, Russia)
Henny Jurriens Foundation (Amsterdam, Netherlands)
Den Norske Balletthoyskole (Oslo, Norway)
Brown University
100 Grand Studio (NYC]
Elisa Monte Dance Festival (NYC)
Open Look Festival (St. Petersburg, Russia)
Texas Christian University
Texas Woman’s University
Berkshire Fringe Festival
Sarah Lawrence College
Western Michigan University
APA (Hong Kong)
DanceArt (Hong Kong)
CCDC (Hong Kong)
Kansas State University
American College Dance Association
University of Maryland
University of Wisconsin at Milwaukee
University of Central Oklahoma
Fine Arts Center (Greenville)
San Jose State University Wind Conductors Intensive
Hobart and William Smith College
The Ailey School
Massachusetts Institute of Technology
Rhode Island College
92NY
HB Studios
Dance NYC Symposium Speaker University of Alabama
Illinois State University
Boston University
Santa Clara University LIMS Conference
Yale University
Dance Complex
SUNY Purchase College
The College at SUNY Brockport
Barnard College
Long Island University
Trinity/La Mama
University of Rochester
University of California at Santa Barbara
Hudson Valley Shakespeare Festival
St. Olaf College
Ethical Culture School
Theaterschool (Amsterdam, Netherlands)
University of Iowa
Oakland University
University of Michigan
University of Nebraska
DNA Summer Dance Intensive
Interlochen Academy
Connecticut College
Danceworks (Milwaukee, WI)
University of South Florida
University of Cleveland
St. Anne's School
Cyprus Dance Festival (Nicosia)
Mt. Holyoke, U/MA(Amherst)
Cleveland State University
UC Longbeach
Washington U (St. Louis)
Skidmore Summer Dance Festival